SONIC FORMS

edited March 23 in Electronic
Brand new Dynamic Synthesis album is here:



Sonic environments for public and private spaces
Roland Kuit - KYMA

Dynamic synthesis is used to create information streams.
Lissajous orbits on van der Pol oscillator.
A system of parametric equations: {\displaystyle x=A\sin(at+\delta ),\quad y=B\sin(bt),} x=A\sin(at+\delta ),\quad y=B\sin(bt)
Design principles: balance, harmony, gradation, repetition, contrast, dominance.
Design elements: line, shape, size, direction, texture, hue/tone
This concept deals with how much information is needed in nano timbre / time to get meaning. The information comes from so-called transients. The duration varies between a small part of a period, from 1 usec to 3 or 4 milliseconds. The meaning of this 'articulation' is identity. This onset as impulse makes it possible to distinguish the identities of these sonic forms and transforming them to autonomous audio sculptures.

iTUNES  Amazon


Comments

  • A system of parametric equations: {\displaystyle x=A\sin(at+\delta ),\quad y=B\sin(bt),} x=A\sin(at+\delta ),\quad y=B\sin(bt)
    Oh ! . . . that one . . . got it :)
    (thank you)

  • > @Brighternow said:
    > A system of parametric equations: {\displaystyle x=A\sin(at+\delta ),\quad y=B\sin(bt),} x=A\sin(at+\delta ),\quad y=B\sin(bt)
    >
    > Oh ! . . . that one . . . got it :)
    >
    >
    > (thank you)

    Yep :smile:
  • Sounds good!
  • edited March 26
    Thanks. 
    (edit) And in the Middle East:
    https://play.anghami.com/song/49179513
  • edited March 29
    Full streaming, I suppose (16 tracks):

    - And posted about 8 hours ago (a 50 minutes, 6 tracks playlist):
    Music for peace installation in Korea.
    Roland Kuit - KYMA
  • Thanks Brighternow,

    Yes, SONIC FORMS 16 tracks.
    Also on 


    https://www.prostudiomasters.com/album/page/31963
  • edited September 9
    Atemporánea Festival 2019 Buenos Aires, Argentina - 9 t/m 14 September


    EVALUATING COMMITTEE Installations - Interdisciplinary Creations at Atemporánea Festival 2019

    Sarmiento 3401. Ciudad Autónoma de Buenos Aires. Argentina

    Atemporánea emerges at the “Astor Piazzolla” Conservatory of Music of Buenos Aires City, to
    centralize the production and interpretation of current music. It's open to musicians, composers,
    researchers and specialists in pedagogy from all over the country and abroad.
    The Festival is projected to favour the creation, audition and diffusion of multiple artistic
    tendencies, it also promotes new productions of various musical and sound art specialities, and
    interact with performers, composers, educators and researchers.
    The purpose of the different calls of works is to promote internationally the plurality of aesthetics
    and manifestations of contemporary acoustic, electroacoustic, mixed and interdisciplinary music
    through activities such as concerts, conferences, round tables, workshops and installations.
    Evaluations are in the catagories Eletroacoustic Works, Papers, Performers - Ensembles -
    Conductors, Acoustic Works, Mixed Media Works and Installations - Interdisciplinary Creations.
    Dutch composer - sonic artist Roland Emile Kuit had the honour to be asked to take seat in the
    evaluation committee Interdisciplinary Creations.

    Link

  • edited September 9
    Two of my creations will appear on this festival:

    The sound sculpture "SONIC FORMS" will be exhibited 14 September at the Hall del Entrada at the Conservatorio Superior de Música de la Ciudad de Buenos Aires "Astor Piazzolla. 

    SONIC FORMS - Roland Emile Kuit - Worldpremiere

    Sonic environments | Orbits for public and private spaces 

    In the tradition of Takehiha Kosugi and Alvin Lucier, Kuit needs to explore the fundamental physics of acoustics wherby the concept of time and space as a vital continuum is morphed with its surroundings. 

    In his lab, Kuit explored the behaviour of orbiting Lissajous figures:

    Dynamic synthesis is used to create information streams on a van der Pol oscillator.

    A system of parametric equations: {\displaystyle x=A\sin(at+\delta ),\quad y=B\sin(bt),} x=A\sin(at+\delta ),\quad y=B\sin(bt) 

    Design principles: balance, harmony, gradation, repetition, contrast, dominance.

    Design elements: line, shape, size, direction, texture, hue/tone 

    A mutual relationship exists between the elements and their structure. The structure provides the elements with their specific, perhaps changing, meaning in nano timbre/ time.

    This information comes from so-called transients whereby the duration varies between a small part of a period, from 1 usec to 3 or 4 milliseconds.

    'Articulation' functioning as identity.

    This onset as impulse makes it possible to distinguish the identities of these sonic forms and transforming them to autonomous audio sculptures.

    The structure works as a context.

    The elements determine which structural measures they can be subjected to in order for their identity to be enhanced, for their meaning to be differentiated and extended.

    Roland Emile Kuit - KYMA


    "BRUSH" - Roland Emile Kuit 4 chnl fixed media

    For Tomas Rajlich

    Sala Sympónica at the Conservatorio Superior de Música de la Ciudad de Buenos Aires "Astor Piazzolla. 

    From pianissimo-bowed micro pitched wood sounds to seeded noise cells, to an elaborated crescendo ending in a broad fortissimo textural cluster: The Kyma system extends the string sounds with spectral holds.

    This work was world premiered at Museum Kampa - The Jan and Meda Mládek Foundation Prague Tomas Rajlich Zcela abstraktní retrospektiva 2017.

    FAMA Quartet:

    David Danel, – violin
    Roman Hranička – violin,
    Ondřej Martinovský – viola
    Balázs Adorján – violoncello 

    Roland Emile Kuit – Kyma


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